In this reinterpretation, four stanzas become quadrants on a grid. Each has its moment of emphasis, cycling through the text and revealing the author's line indentations. The text describes birds in flight disappearing.

The text describes snowflakes falling in twilight. Broken onto many lines, the spacing, typography and punctuation provide visual guidance to its subject. Motion adds a new layer of guidance, adding and removing emphasis on individual lines.

Often Cumming’s poems are a visual presentation to whatever is being stated or described. In the original text, repetition and broken lines are a presentation of Sunday morning bells ringing. In this exercise, the motion does the same: it moves back and forth with an invisible weight swinging the text to rearrange.

The text of the poem reads: “how tinily of squirming between two stones a greenest you becomes mysteriously white, one, thou.” The original text, broken across many lines, is reinterpreted in motion with each stanza separated by a line.

Like the pages in a book might separate a long poem, frames in motion give pause and separate to text. In this interpretation, the form of the text, informed by its original line breaks and indentations, responds to its frame as it cycles through the stanzas.